Tijerín builds his NPC rosters in Character Creator with ActorMixer, various physique form, face, and texture from a single base, then retains two variations of each character available: a high-fidelity mannequin for close-ups and a decimated, game-ready model for crowds.
For movement, he data reference footage on a telephone – static digicam, eye stage, performer absolutely in body – and runs it via iClone’s Video Mocap device to generate a base animation. From there, the work strikes into iClone’s movement editor to repair joint jitter and unstable foot contact, mix in library movement from ActorCore the place the supply footage is incomplete, and use the unique clip as a timing reference all through. Completed NPCs transfer to Unreal Engine 5 via Live Link and Auto Setup.
As Tijerín describes it, the workflow is gentle sufficient that “movement seize stops being a tedious course of and turns into a device” he reaches for always, relatively than one thing reserved for a handful of hero animations.